12/17/2022 0 Comments Howls moving castle movie sequel![]() And both he and fellow co-founder Isao Takahata were in charge of the majority of Studio Ghibli’s films during their tenure. Miyazaki certainly comes off as strong-willed - and slightly cynical - in The Kingdom of Dreams and Madness, a documentary that takes us inside Studio Ghibli during the production of the director’s then-final film. “The difference between the film I wanted to do and ho they wanted to do it was too great, so I had to get off the project.” “I was told to make to similar to how Miyazaki would have made it, but I wanted to make my own film the way I wanted to make it,” he said. Hosoda wasn’t as harsh as Kihara, who said one person in charge “speaks like a Yakuza and rules like a politician.” But Studio Ghibli’s core focus on Miyazaki was incompatible with his vision. In 2016, former production coordinator Hirokatsu Kihara described Ghibli as a place with high turnover, where co-founder Hayao Miyazaki (the award-winning director of Spirited Away, Kiki’s Delivery Service and more) dominated all of his fellow creatives. Some ex-employees have alluded to what those may be in interviews about working at the studio. Studio Ghibli’s core focus on Miyazaki was incompatible with his vision tone, and rules they had to follow,” he explained. “I was really excited, but with Ghibli, there’s a certain. Hosoda was asked to direct, a huge get for a director who had previously only directed one feature-length film.īut after a few months, Hosoda was off the project. That movie was Howl’s Moving Castle, based on the beloved fantasy novel by Diana Wynne Jones. Do you want to work on it?’” said Hosoda, speaking to Polygon during a Western press tour for Mirai. “When I did the Digimon movie, Ghibli producer came to me, saying, ‘We have a feature coming up. Hosoda’s work had won the attention not only of young audiences, but of the biggest animation company in Japan. Although it was attached to a Pokémon-like multimedia machine, Digimon was different - it had heart, and humor, and human leads with realistic relationships.Īfter Hosoda’s follow-up theatrical short, Digimon Adventure: Our War Game!, came out in 2000, both he and the series earned increasing critical praise in their home country. ![]() The short film Digimon Adventure served to introduce the franchise to audiences, premiering a day prior to the TV anime’s premiere. In 1999, Hosoda’s first film premiered in Japan. Hosoda, whose credits range from the original Digimon anime to this year’s fantasy film Mirai of the Future, told Polygon that forfeiting a huge Studio Ghibli gig helped grow his career for the better. Not so for Mamoru Hosoda, one of Japan’s freshest, most respected anime auteurs in recent years. With the kind of brand recognition and clout that Studio Ghibli has built up over the past 33 years, getting picked to direct a film for the legendary animation studio seems like a huge breakthrough for any up-and-comer.
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